Thursday, August 18, 2011

U2 - Awesome concert!


My Review/Summary of U2 360 Concert in Nashville, TN 7/2/11
Posted this on my LJ but forgot to put it here.  It was written in mid-July 2011.
Be warned...it's a bit long and fangirl-y.  LOL  So sue me. :P  They are my fav band after all.




Hmmm...ok, not even sure how to start this. The U2 concert in Nashville was AMAZING...2.5 hours of non-stop pure awesomeness! I've been meaning to do a review ever since it happened on the 2nd, but honestly I just can't find the words. I mean, I don't think anything I can say would even begin to cover it. It's not unusual for me to be left searching for the right words for a situation, but this is the hardest I've ever had with writing a concert review. It should be easy. You know, just write what happened, but I don't think the words would do it justice. Amazing, awesome, brilliant, moving, heartfelt, special, squee....yeah, I could use all of those and more, but it was more than that too, you know? It's now been almost two weeks since the concert and I'm just beginning to feel the concert high begin to falter. I always get a sort of buzz after a good concert, but it's never ever lasted that long. This should tell you something. So, I'm going to attempt to do a post of sorts on the concert and just U2 in general. If you wanna skip over this rambly post, by all means, skip away. My main purpose here is to get the details of the concert down so I have something to remember it by. I think to understand why I'm having a hard time writing this, you have to see how U2 has been with me (or me with them?) for a long time, so first a quick background.


I've been a U2 fan since I was a kid. I can remember going into my best friend's older sister's (who I ran into at the concert) room and seeing her Joshua Tree poster on the wall. Said friend also introduced me to U2's music. I can remember renting Rattle and Hum for the first time and watching it with her. We both loved it! I watched it multiple times after that. It's always been my favorite U2 album, partially because it was my first I guess. I even had a Rattle and Hum tshirt and wore my cassette tape out until I later bought the CD.


Surprisingly, I've never really heavily fangirled any of the boys. At least not before the concert. Shocking I know. ;) I do however feel a bit of fangirling coming on though. I adore them all (yes, even Bono with his meandering rambles and sometimes huge ego; underneath it all he has a huge heart which is in the right place, just a little misguided at times). Although I will admit to having two favorites: Adam Clayton (bass) and Larry Mullen, Jr (drums). In fact, since the beginning it's been that way, always with Adam slightly in the lead. Which probably dumbfounds a lot of people as he's not a hunk nor has classic good looks (like Larry does), but there's just something about him. A spark...a warmth...a humor...a wisdom...just something very special.  I actually remember the moment I became an "Adam girl".  I was watching their video to "Christmas (Baby Please Come Home)" which I had taped on VHS from some really wierd Christmas show with Dennis Miller hosting and I saw the part where Bono is singing and walks over to Adam and Adam looks up from his bass and grins then winks.  I just remember rewinding that over and over again to see Adam's grin and wink.  To this day, I'm a sucker for both.  Heh!  Whatever that something special was, I saw it even then at my young age and it's still there, stronger than ever.


I haven't been an uber fan. I haven't followed them extremely closely over the years, but close enough that I kind of always knew what was going on with them in the big picture. They seemed to just keep popping up in my life, reminding me they were there and that I loved their music and them. I always noticed their latest single on the radio and/or video and always enjoyed listening to/watching them. When their autobiography came out, I eventually stumbled on it on sale in the bookstore and had to have it. See, it's a HUGE coffee table book and normally I wouldn't spend that much on a book or buy one that large, but U2 + really good sale = have to have! "Vertigo" was the first song I ever downloaded from iTunes. And I actually downloaded it BEFORE I even had an iPod. I got both of their Greatest Hits cds as soon as they came out. The second one even making a mad run to the store during our vacation cause I HAD to have it THEN. When the U2 edition iPods were first introduced I wanted one SO badly, but couldn't justify getting one as I already had a shuffle. About a year later, my family agreed to get me a bigger iPod as I had run out of room on the shuffle, although refurbed, for my birthday and I cannot tell you how stoked I was to find a U2 edition refurbed through the iTunes store. I immediately bought a cover for it so as not to scratch the engraved signatures. I believe all of my cellphones over the years have had at least one U2 ringtone. So, when I found out that U2 was coming to town this summer and giving the concert where I work, I HAD to get tickets. I've never seen them in concert. But that's mainly due to the fact that they haven't played near me in 30 years. Yep, 1981 was the last time they played near me and honestly that was before I even knew who they were.


My Mom got the tickets for myself and hubby for our birthdays. I was totally excited, but hubby wasn't so sure. He liked them, but never was really into them. At first he tried to get me to sell his tickets to a friend of mine, but I told him that this is U freaking 2! You don't pass these tickets up. If nothing else, you go to see the spectacle. But I knew he would enjoy himself. And after me and my friend Rachel telling him he'd be crazy if he didn't go, he gave in and went. As it got closer, he got more into the idea thankfully and ended up having just as good of a time as I did. We had a kid free night thanks to my Mom and went out for dinner (pizza) and frozen yogurt before hand. Our parking passes for work allowed us to park without paying, but we had a nice little walk to the stadium. After pizza and frozen yogurt I didn't mind. lol


Florence and the Machine was the opening act and they got started a little after 7:00. They were good, but I was too excited to see the boys and couldn't really concentrate on her. Plus I only know one song of theirs, so that didn't help. After they finished, the crew started to re-do the setup on stage. U2's stage is incredible. There is a huge claw/spaceship that sits above the stage with the whole stage open so you can see from all sides. There is a rotating riser in the middle of the circular stage where the drum set sits. Then there is a circular cat walk that loops around the main stage with a second circular cat walk looping around it with two movable bridges, allowing the boys to move from stage to inner catwalk to outer catwalk and back. After taking all this in, I was certain we were in for a spectacular show, even though I kinda knew that already. Our seats were high up, but we had a perfect view of it all. While waiting for the show to start, the 360 wrap around screen above the stage starts scrolling various random facts, like time in different places and the number of people in the stadium (ended up being around 45,000 and was sold out), how many tweets had been on Twitter that day, etc. I will admit that I spent most of the night looking through my wonderful friend's camera lens (she let me borrow her kick arse camera) because while we did have a great view, we were high up and I could see the boys much better through the lens than through my unaided eyes.


Soon enough the lights on the claw/spacestation light up and music starts to play, but it's not U2...it's David Bowie's "Space Oddity." Then we start to hear screams and the boys appear on the big screen, walking into the stadium. We watch them on the screen until they appear in the corner of the field, coming out of the tunnel. I liked how they walked in, side by side, all together as a group, brothers.


As they reach the field, David Bowie fades out and "Even Better Than the Real Thing" starts up. A great, high energy song to start the show off. After that, Bono gives a shout-out to Nashville and then plows into "The Fly", which is now in it's 20th year. Then straight into "Mysterious Ways". Now I'd heard how Bono likes to play around with lyrics at shows and three songs in he proves it right by adding an "I Love You" and "Eat It" to the song. Ummm...Bono? Eat it? LMAO! He also throws a quick snippet of Beyonce's "Single Ladies (Put a Ring on It)" in there for the heck of it.


Next up was "Until the End of the World". In the middle Bono stops for a moment to speak about freedom. This was typical Bono, but was neither preachy or out of place. It fit right in with the song. Edge's guitar is on fire and Larry is rocking on the drums. Sadly, sometimes Adam's bass gets a little lost in the mix, but you can tell he's into it and having a good time as he moves around the stages.  And if you listen, hard enough you can hear his driving, melodic bass lines.  However as they kick off "I Will Follow", you can hear it loud and clear. Bono introduces it as their first ever single, but that's not right. Maybe he meant first single in the US, now that could be. He immediately runs into "Get On Your Boots". I hadn't heard this one before or at least didn't remember it. It's off their last album "No Line on the Horizon" and it is AWESOME! So much so that right now it's my favorite song. With a driving, melodic bass line like that, how could it not? Rock on Adam! Just a little aside here, but I truly believe that Adam's best work may very well be the stuff on the last album. Not that he hasn't always been good, but it seems like he's got everything together and matured and grown into an amazingly talented, strong bass player.  Like a fine wine....


Bono then thanks Florence and the Machine for opening on this their last night on tour together. Then an embarrassed Bono fesses up to the fact that it's been 30 years since they last played Nashville. He says it's a hard fact to take in but that they are here now and the crowd cheers loudly. He also says some things don't change and begins his band intro by saying he's Bono and they are a band from Dublin. Every night he intros the band and every night he does it a little bit differently, or at least the ones I've heard about. It's always cute and funny. He begins with Larry Mullen, Jr on drums mentioning the fact that Larry was the one that formed the band. He then calls Larry handsome and thoughtful and says he's had this same haircut since 1981. All of which is absolutely true! Especially the handsome and haircut parts. lol Then he moves on to Adam. He talks about how all Adam ever wanted to do since he was born was play four strings and he's mastered at least three of them, which sets them both to giggling. He goes on to call Adam "a prince of a man and an unusually talented, gifted, improvisational and great rock and roll bass player of all time." (See...I told you Bono rambles!) The crowd cheers and he moves on to Edge saying they wouldn't be there without The Edge but without them the Edge would still be in his bedroom twiddling knobs. I about fell out laughing! Yes, I am twelve. :P He calls Edge their own card carrying genius, playing the guitar and everything else. He wraps up the intros by saying "in a city of masters we will stay students."  Nawwww!


And then launches into "Still Haven't Found What I'm Looking For" by asking us to sing along. Bono starts off the first few phrases then goes silent, holding out his mic and letting us sing for a while. He says we're a little sharp and then says he's just kidding. Watch it there buddy! LOL During the bridge, he gives a shoutout to Cowboy Jack who was there and introduced them to BB King back during Rattle and Hum I think. Then he lets us finish the song before he transitions into the collaboration they did with Johnny Cash, "The Wanderer". Now this is VERY special, as this is the only time or one of only two times, there is some debate, they have ever performed this song live. He sings it in Johnny's voice and really sounds like him until his voice tires and he has to go back to his own voice. That's one of Bono's gifts though, he can copy anyone's accent brilliantly, speaking or singing. He talks about Johnny and his wife June and how they had some wonderful times hanging out with them. He also says next time they are in town they will go out to Johnny's grave for one last goodbye. I'm holding you to it there Bono. Next tour definitely needs to have a Nashville date. :D  None of this once every thirty years crap! ;)


Next up is "Stay (Far Away So Close)". Bono says there's a hint of Sinatra in it. At this point the audience takes a break and sits down for a moment to rest their feet. I really didn't want to sit, but everyone else was so... The next song he dedicates to Gabby Giffords and talks about her husband up in space and wonders what he would have to say to us. The screen starts to pop and crackle and low and behold there Commander Mark Kelly appears from the International Space Station feed and gives a shout out to Nashville. I think this was actually taped and not live since I think I heard Kelly was already back on Earth by then, but he does mention Nashville all the same. Bono mentions the hot and humid conditions and Commander Kelly quotes a line from Bowie. "Tell my wife I love her very much. She knows..." Then the boys kick into "Beautiful Day". Another amazing song performed beautifully and tightly by these seasoned pros. Again Bono changes up some words and I catch it immediately, but it's such a sweet awww moment to me. All through the show you can see how much these guys genuinely love each other and how tight the bonds of their friendship is. This is one of those moments. Bono changes the line about finding a friend to take you out of this place to finding three friends (there are three other members in the band beside him). Then a little later on in the song he adds ya'll to the end of the line "I know I'm not a hopeless case", causing me to grin. Commander Kelly comes back in around the middle of the song and speaks a few of the lines before Bono takes back over and finishes it out. He ends with a few lines from "Space Oddity", tying the whole bit together.


Bono asks if we should get ourselves elevated, causing the crowd to scream and the familiar sounds of "Elevation" fill the air. The crowd starts singing the Ooohooohs at the beginning and Bono hangs back for a moment, drinking some water and communicating with Larry about something and egging the crowd on, before joining in. It amazes me both how energetic and into it Bono is as well as how in control of everything he is. They have this down to a fine science. A few hand signals and head nods or a simple look in the case of the rhythm section (Adam and Larry) and everyone is on the same page. This will prove very important toward the end of the show, but I'll explain that when I get there.


The lights go down and then just as quickly back up as Edge launches into "Pride In The Name of Love". I've always loved this song, it's one of my favorites. It's a good thing I had the camera and Steve had the video camera. LOL Otherwise the short videos we got would have been full of me singing along. He also changes a line in this one. He changes "early morning April 4" to "early evening April 4", which is actually when it really happened. I always wondered why they didn't just change that line when they realized it was inaccurate. Bono has us close out the song with oh oh oh oh's.


Bono mentions how he thinks America as a country is a great idea before transitioning into "Miss Sarajevo". Even though his voice has had a few raspy moments (I kinda wonder if his allergies were acting up as that does cause his voice to get raspy and TN is known for it's allergy problems), he delivers beautifully, even singing Pavarotti's part in Italian as he would have done. This runs straight into the "Zooropa" introduction which is a mish-mash of images and sounds asking various questions. As this plays, the screen above their heads begins to stretch out until it nearly reaches down to the boys themselves. Then "Zooropa" begins. It's an interesting song, but one that I've never been super fond of. I don't catch it at the time, but have been told and upon relistening to the live recordings of that night can confirm that it is indeed true that they used the Teletubby theme song to bridge into the next song. I...I just don't even know what to say. LOL Part of me is cracking up and part of me is like guys, what were you thinking??


"City of Blinding Lights" is next; a song about what it was like playing a concert in New York right after 9/11. The screen flashes the words "the more you see the less you know"; a shout out to the messages of the ZooTV and PopMart tours I believe. The images of the boys continue to show on the screen, but in a slightly abstract way now as the screen is stretched out to full capacity.


Before we can even catch our breath, Bono says they are kicking it up another notch and they go barreling into "Vertigo", counting things off in Spanish. Again, another one of my favorites. Bono prompts us to take over in the middle for a short bit before joining in again to finish the song out.


Then things get a little crazy. LOL They go through a snippet of "Miss You" before performing "I'll Go Crazy if I Don't Go Crazy Tonight". I didn't know this one before the show either but really like it. It's another one from "No Line on the Horizon" and it's a very upbeat, dance kind of song. I just couldn't stand still. Then they launch into more snippets. This time covering "Discotheque", "Psycho Killer", and "Life During War Time". To this day, I can't hear "Discotheque" without seeing them all decked out in Village People costumes, attempting to disco dance. Heh!


Bono transitions into the next song by saying this isn't disco and it's not CBGB's. We don't have time for that. We have more important stuff to do. And he launches into "Sunday, Bloody Sunday". At one point, Edge and Bono are kind of dueting around each other and I'm amazed by how much like Bono Edge can sound when he needs to. I think it was at this point that the screen returns back to it's original size and position.


As soon as the song stops, Larry keeps going with the drums, doing a drum solo of "Scarlet". Bono starts talking about Archbishop Tutu and the leader of Burma. The leader of Burma had been imprisoned and now she has been released, with the help of campaigning that U2 and Amnesty International, among others took part in. Again, Bono lets us take the ooooh ooooh oooohs. Then he asks us to raise our voices as they move into "Walk On". Again, another one I really love. Such an uplifting song. My favorite line from the song is "Stay safe tonight..." Bono talks for a bit about Amnesty International right before finishing the song as the lights go down very low and people carry out lighted Amnesty International votives onto the outer catwalk.. He ends with a quick snippet of "You'll Never Walk Alone" before saying his thank you's to Nashville and then egging Vanderbilt on. He calls themselves students yet again and then introduces Archbishop Desmond Tutu and announces that his daughter is there before the boys leave the stage and they play a message from him on the screen.


When the boys come back out, beginning encore #1, they begin playing "One". Bono's voice is back at it's strongest and he even plays guitar on this one. It's a special guitar. Can't remember what brand it is though. It's acoustic and huge and green and has "The Goal is Soul" carved into it. And when I say huge I mean so huge that it almost makes Bono look like a child holding it. Yeah, I know he's on the small side, but still. He gives a few shoutouts to local politicians and musicians that have helped with his One Campaign as they end the song.


The stage goes black, save for a spotlight on Bono as he sings part of "Amazing Grace" acapella. I seriously got goosebumps. His voice is just amazing. This leads into "Where the Streets Have No Name", had a snippet of "All You Need is Love" in the middle of it.  He gives another shout out to Nashville and starts clapping before saying, "or as ya'll say in Nashville Wooo!" And yes, there was a lot of woooo-ing going on that night!


The boys get another chance to catch their collective breath as they head off for a costume change or at least Bono, Adam, and Edge change, before encore #2. Bono gets into a new jacket and a black button down, opposed to his earlier black tee under the jacket, Adam into a short sleeve very sparkly white shirt, and Edge into a grey tee. Larry it's hard to tell because his shirt looks the same, but it could have been just another similar shirt and not the same one. At this point I am very hot, but there's a breeze, so I'll survive. I can't even imagine how hot and sweaty the guys are down there on the floor with no breeze able to reach them, moving around under those hot lights. I mean, Bono even has on leather pants and a leather jacket. I don't want to even think about how hot, sweaty, and well stinky he is by this point. And yes, I'm 12, but at this moment all I can think about is Saturday Night Live and schweaty balls. Ha! The other guys dressed more appropriately even before the costume change, Adam with a long sleeve white shirt he had pushed the sleeves up on and baggy, light white pants, Edge with a white tee and black jeans, and Larry with a mid-length sleeve shirt that was white and black pants (although not leather I don't think). I know Bono does the black leather thing every night on the tour, but you think with the heat he would be dying for a change of pace.


A couple of strange aliens pop up on the screen, whistling "Where the Streets Have No Name" before saying their feet hurt and making comments about the claw on stage and how it looks like a spaceship. They disappear and the Zooropa, cute, childlike alien appears asking what time it is in the world and then singing baby, baby, baby and then quoting more Bowie, "planet Earth is blue and there's nothing I can do" until he too disappears. Then you can hear Bono asking over and over what time is it in the world and the red steering wheel looking light up mic descends from the inner part of the claw, rotating just above the stage and shown up on the screen. Everybody knows what this means and you hear Bono answer his own question with the answer of "Showtime!"


He jumps on the dangling mic and swings across the stage as the lights go up and the boys start to play "Hold Me, Thrill Me, Kiss Me, Kill Me". Another favorite of mine. I think I may have actually had the cassingle of this back in the day. He swings from and sings into the lighted mic throughout the whole song. Gotta love how full of energy Bono is after about a good hour plus of performing. Also, the new leather jacket he is sporting has red laser lights beaming from the sleeves. He asks once again "What time is it in the world?" and answers himself with "Why, showtime!"


The lights on the mic go blue and they start playing "With or Without You". Again, he lets us sing some alone. I can only imagine how cool this sounds to them, every night the crowd singing the words to some of their oldest, most loved songs, knowing every word by heart. The verse he chooses to let us sing is one that I have trouble remembering the words at that very moment, but it sounds like others do too as this is much softer than we've sung all night, so I don't feel so bad. As the song begins to end, he pulls out a coat hanger and hangs his leather jacket on the now blue light up mic. "Night Nashville...Night Ya'll..." he says in his best southern accent as the mic and jacket begin to reel themselves back up into the claw. Then he thanks the crew for their work and thanks us for giving them a good life (Super Awww!) and we oooh ooooh oooh the song until the music stops.  I love it when he gets so humble.  It's very becoming actually.


He announces that this is their 100th show and that it's appropriate that they are in this "extraordinary town, extraordinary city, extraordinary state, extraordinary university." Again....awwwww! He begins to thank all the local people that have helped with various things and all the local musicians they had met with the day before. He then goes on to talk about a day years ago when they came into town to do some philanthropy stuff. He talks about who was at the meeting, mostly local musicians, and how there were no AIDS drugs in Africa then, but now because of the US 4 million lives have been saved. "Not just a country, America. It's a great idea."


He goes on with some more thank you's before telling us we're going to make the spacestation disappear and turn this place into the Milky Way. He asks us to take out our phones and then asks Willie (U2's stage and lighting designer and director) to turn out the lights. The place is absolutely beautiful lit by a thousands of phones and my iPod Touch. He intros "Moment of Surrender" by saying it's the theme of their whole show. I don't think I knew this one beforehand either, but it's very emotionally packed and I really like it. Edge plays guitar and piano on this one as he's done at other points during the night. I really find it amazing how talented he is and can juggle so much at once. Bono ends the song with a rap-style repeated refrain of "Where were you when they crucified my Lord?"


When it ends he says a few more thank you Nashville's and thanks us for our patience before calling us unbelievable people. Big Awwwww! The boys gather at the front of the stage and wrap their arms around each other as they wave and take a bit of a bow. And then the most surprising, moving, and amazing moment of the night happens. Now Bono is known for both wandering on stage as well as disappearing in the past, although I don't think he does it much any more. So the boys begin to leave the stage, all together, just like they came in. I'm busy trying to get a last few close up pictures and don't even realize that Bono has gone missing. But then you can hear his voice and he's having a conversation with someone, but you can only hear his side of the conversation. It takes a moment for all of us to realize what's going on, including the rest of the band. First Adam stops in his tracks and starts searching for Bono, then when he spots him, he grabs Edge, who grabs Larry and they head back to the front of the stage. I can't really see Bono that well as he's moved to the absolute edge of the stage and is talking to a fan. He calls out to the other guys saying, "Hold on gents, we have a surprise guest." Again, I can hear him, but not the person he's talking to. At this point I'm thinking, great, some Nashville celebrity is going to sing with them. I have to admit, the idea didn't really thrill me; seemed too cliche. Little did I know this was anything but cliche. It was interesting though to see how the band members soaked in what was going on and began to make sense of it. Adam immediately grasps enough of what's going on to return to his spot, put his earpiece in, and wait for his bass to be brought to him, realizing Bono is pulling a classic Bono and giving the audience a special moment. Larry looks so confused that it's actually funny. He returns to his drumkit and puts his earpiece in, but remains bewildered looking for the longest. Edge stands at the back of the stage with his hands on his hips, taking it all in until he decides to step over to the keyboard. As all of this in unfolding, Bono asks the crew to bring this "dude" out a guitar, not just any guitar, Bono's accoustic green, personalized guitar that I mentioned earlier. When the guy finally makes it to the stage, we realize it's not a country music star as I had feared but a fan. And I think well now, this is very cool. Bono had asked him earlier what song he wanted to play but that was before the guy was mic'ed so we're all clueless as to what's about to go down. They guy dedicates the song to his wife and then tells Bono he is very nervous, causing us all to laugh. He starts playing "All I Want is You" and Bono sings along for a bit before all the other guys join in on their instruments. The "dude" as Bono calls him, is really good so Bono motions for them to keep going and they make it all the way through the song. Bono hugs the guy and gives him his guitar, much to the fan's shock and excitement. Bono takes the guy's hand and leads him back to the stage. At that point, Steve and I are talking about how cool this is but don't pick up on the fact that Bono holding his hand and leading him is a little odd. See, what we didn't know until the next day is that "dude" was blind. He was in the front row holding up a sign that said blind guitar player and I guess it touched Bono enough that he asked the guy up on stage. What a spectacular moment to end an absolutely awesome concert. Bono and the guys do one final wave and then head off the stage. Elton John's "Rocket Man" starts to play as the lights go up and we realize that it's now 11:15! I can't believe it lasted that long! These guys really give their absolute all to the fans. In fact, they played past the 11:00 city noise cut off. Considering how they praised Nashville and Vanderbilt though, the city let it slide.


Hubby took me to look at the t-shirts afterwards.  I didn't want to spend more than $20 and there was only one that fell in that price range and I wasn't too excited about it, so I decided it would mean more to me to spend the same amount of money online on a Rattle and Hum tshirt like the one I had when I was a kid.  It came yesterday and I was so excited to get it!  The concert definitely renewed and amped up my love for U2.  I've read their autobiography and am working my way through another biography on them.  They aren't just a brilliantly talented group, but also an extremely interesting group of people.  Their story really does make a good read.  I've also decided to make the girls Zooropa kid-like alien tshirts this weekend.  Can't wait to see how they turn out.  I also ordered the Euro version of "Achtung Baby" on eBay and hope it has the cover it's supposed to as you can't get that one here in the US.  Shall we say it's a shining moment for my favorite, Adam.  >:)  So, if you stuck with me through all of this...thank you!


Here's a few pictures hubby  and I took.




Scrolling Fact Screen Before the Concert

Bono Caught Mid Jump

Zooropa Aliens

Adam Clayton



Spaceship U2 (aka The Claw)

video screen stretched out

The Edge

Bono

Edge crossing the bridge

Edge and Larry Mullen, Jr.

Bono crossing the great divide

Edge on the catwalk

All the boys saying goodnight


The Rhythm Section (aka my favorites) Adam Clayton and Larry Mullen, Jr

Bono Vox

Adam and Larry on the catwalk goofing around (wish this was more clear)

our cellphones lighting the night


Bono and Adam (absolutely crushed that this did not turn out better, but at least I caught it)


Hold Me, Thrill Me, Kiss Me, Kill Me

Bono mid-flight

The closest two pictures I got of Adam were both of his rear.  I swear this was not intentional!




The boys saying good night.  This is my favorite picture of the whole night!  Love them all!

Monday, April 18, 2011

Review of Brian Wright at 3rd and Lindsley 4/10/11

Last Sunday night, I was lucky enough to attend Brian Wright's concert at 3rd and Lindsley, which was also broadcast on the local Indie radio station and streamed live on the Internet.  I've been wanting to see him live for a while, so this was a nice little treat and also my first concert of 2011.  Geez, has it really been 5 months since I've been to a concert?!?  No wonder I was having withdrawals.  Ha!

3rd and Lindsley is quickly becoming my favorite small venue as I've now seen 3 concerts there and loved them all.  I really like the intimacy of this cozy, small venue.  I guess I'm getting old, but I really like the fact that you sit at tables instead of standing the whole time as well.  Plus they have a killer tilapia salad that I end up craving all day the day of a concert.  Now how sad is that?  Ha!

I met one of my closest friends Rachel and her younger sister Stephanie there about an hour before the music began so we could squeeze in a quick meal before the show and managed to talk them into sitting up front, so I could get better pictures.  It was absolutely FREEZING inside even though it was near 90 outside.

Rachel Loy, who I had not heard of before that night, was the opening act.  Her music was kind of folksy/singer-songwriter sounding; similar enough to Brian that the transition from her show to his was an easy one.  The band that played after Brian was called Myrick/Peacock.  They had more of a rock feel to them.  I had never heard of them before, but quickly recognized one of their songs called "Bliss" which was used in a Hershey's Bliss commercial a while back.  Both Rachel Loy and Myrick/Peacock were good, but I was there to see Brian, so that's who really stood out and stuck with me.

Brian was the middle act at 3rd and Lindsley, but the opening act on the radio.  He has an Americana/folksy/singer-songwriter/alternative country sound and was very funny, sharing a few stories in between songs.  A couple of songs in, he asked the tech guys to lower the already fairly dim lights.  I guess they were bothering his eyes, but this made getting pictures hard, although I do have a few to post.  When talking in between songs, he was quite soft-spoken and almost a bit shy sounding.  His singing voice is very soft and mellow on most songs as well.  I did get a couple of small video snippets, but didn't record any full songs because I was saving my camera's memory for my favorite song of his ("Glory Hallelujah") which he sadly did not play. 

I think my favorites from this set were "Morning Cigarettes" and "Maria Sugarcane" although everything he played was great.  All in all it was a great show.  He kept talking about how he had really enjoyed his stay in Nashville and hoped to come back more often, which I hope he does.  I got a chance to talk to him afterwards and just like on stage, he was quiet and very sweet, but easy to talk to.  He seemed very humble and thanked Rachel and I multiple times for complimenting his music.  I will definitely go see him again if I have the chance.

Brian's Set List
Morning Cigarettes
*Wind Blows
Sophia
Your Brother, The Poet
Accordion
*It's Slow
*Be Your Friend
Pretty Little Penny
Former Queen of Spain
Maria Sugarcane
Striking Matches

* I'm not sure of the title on these, but that's my best guess based on the lyrics.

Pictures


Rachel Loy

Brian Wright

Brian Wright

Myrick/Peacock

Video


Brian Wright - "Pretty Little Pennies"

Wednesday, April 13, 2011

Review of the DVD from Duran Duran Deluxe Package "All You Need is Now"

Next I'm going to take a look at the dvd that came with the "All You Need is Now" deluxe package. There are 6 different parts to the DVD, not including the extra songs (which I will review seperately at another time). Here we go...

The Making of All You Need is Now - They interviewed the four main members of the band, and asked them about the single and the recording process for it and the album in general. I love having this little peek inside of their minds. They talked about how a lot of this album was written just jamming as a band. Roger said they, "drew on themselves" and were able to be who they are. I think both of those things are key to the great sound of this album. They were able to be themselves and not worry about the outside influences. I think this allowed them to gel as a group and let their natural talent shine through. Roger also called the new songs, "new Duran classics." I like the sound of that and I totally agree. I think many of the songs on this album will become Duran classics that get played in concert over and over, even after the album has aged. John and Roger both talk about what it was like to work on the new album together, compared to years ago and one of John's comments stood out to me. He said, "We never stopped believing that around the corner was the solution." I really like the sound of that and think it's yet another reason the album sounds so great. Simon talks about how AYNIN is a message, "to us from us and to the fans. It's about the long road we've been on. It doesn't matter how far you've come; the only bit that matters is the one you're on at the moment." It's a great summary of the theme behind the single as well as a smart way to look at things. Don't fret over yesterday and don't worry about tomorrow; live in the now. I know that personally this is something I should definitely take to heart. And finally, to end this section of the dvd, Nick talks about the positives of this album. He wraps it up by calling the album, "poptastic" and I whole-heartedly agree, as it is both pop music and fantastic.

All You Need is...Mark Ronson - Simon talks about how Mark was their first natural choice since Mark is a fan of theirs. I truly believe that this was an excellent choice. I really do think it took Mark nudging them in the right direction for them to get back to the sound that made them popular in the first place. Nick talks about how Mark can play almost any instrument, has great ideas, and immaculate taste. He also mentions Mark's vision, energy, and remarkable work ethic. To me, this explains why Mark was able to get the band to do what they do so well. They needed his vision and energy and work ethic to inspire them. Roger talks about how Mark comes from a similar place musically and how his DJ background helps him out in overseeing the recording process. That makes complete sense to me. I can see how his knowledge of making a playlist for his DJ sets would carry over to picking song order on the CD. Because Roger is also a DJ on the side, it's possible that Mark earned some brownie points with Roger. John mentions how Mark brought an authenticity to the music that has been missing. I like that. I think John hits the nail on the head there. Nick talks about how Mark is able to sift through the music and find the diamonds. Again, I think that may go back to his DJ background and his ability to build a stellar playlist. My favorite quote from Mark Ronson himself in this section is when talking about the new album, "Where were these songs for the past 20 years?" To me it really shows how much of a fan he is himself and how he knew the band had it in them, but just needed that little push. Simon mentions that Mark told him he (Mark) wanted to make the record the fans want to hear and I personally think he succeeded with that goal. I think the album has been very well accepted and loved by the fans. Sure, some people will disagree, but I think on the whole, the majority of fans love it.

The Art of Clunie Reid - This section of the DVD basically explains how they came to know about Clunie Reid and asked her to do the artwork. It shows her working with some of the pictures and she explains some of her processes. I found it interesting to see how she got some of the effects. I also enjoyed finding out that Nick Rhodes provided the images she used from his own personal collection. Party scenes and lots of girls...yep, that's Nick all right! I really like that they did this though. I mean, all Duran Duran fans know of Nick's love of photography, so I think this brought the album full circle, truly making it their own, even with using the help and talents of others to add some extra spark.

On Set at the Photoshoot - This was images from a photoshoot for promo shots and such set to, "Blame the Machines". It was way, way too short! My favorite moments were the shot of the HUGE amount of shoes they had available to use for the shoot and Roger running in slow motion with camera flashes going off. There was just something cool about both of those shots.

"All You Need is Now" Video - The first thing that catches my eye is the fact that the majority of the video is shot in black and white. I like the use of words on the screen, flashing up every now and again (Now, VIP, Play, etc.). There's also a "secondary story"; the "primary" being the band themselves of course. The "secondary story" (in color) is a group of kids in 80's dress going out to the clubs, but you can tell it's set in present time as they have modern cellphones. I like this mixture of old and new, blurring the 80's with now. The majority of the shots of the band are of them performing the song (all in black and white) until towards the end where they show shots of band over the past few years, some in color and some in black and white. There's lots of smiling and laughter throughout the whole thing, giving you the feeling that everyone is happy and doing well and helps bring additional warmth to the video. There are also lots of "outtake" moments with the guys goofing around (Roger fake punching the camera, John getting cracked up, the boys chatting, hanging out in the recording studio) which I think adds to the warmth and overall positive feeling of the video. I like how the whole band (including Dom) is together at the end, smiling, side by side; a show of unity.

Behind the Scenes at the Video Shoot - Much like the behind the scenes at the photoshoot section, this was way too short! I happen to be a huge fan of behind the scenes stuff, so I would have loved to have had the chance to watch more of it on this DVD. Mostly it is just clips from the video plus a few other behind the scene shots.

Track by Track - The Band Discusses the Creative Process - I loved getting a little insight into what the guys themselves thought about the songs and how they each came about. They go through 12 of the songs (AYNIN, Blame the Machines, Being Followed, Leave a Light On, Safe, Girl Panic, Man Whole Stole a Leopard, Other People's Lives, Mediterranea, Too Bad You're So Beautiful, Runway Runaway, and Before the Rain). Even though the guys were all interviewed individually and all had different things to say about each song, their comments were completely on the same page with each other. I think that's a great sign that things are going well and hopefully will continue to go well for them for a long time to come.

Next up will be a review of the extra songs found on the Best Buy deluxe release, and then a review of Brian Wright's concert that I attended the other night.

Sunday, March 27, 2011

Partial CD Review - Duran Duran - "All You Need is Now"

Ok, so for my first real blog entry, I wanted to review my brand spankin' new copy of Duran Duran's "All You Need is Now". Only problem is...it still hasn't arrived. :( Ugh! But I'm going to go ahead with a partial review because most of the physical album is the same as the digital release album from December, which I have. Then I can review the "extras" when my actual CD gets here. So, without further ado...my take on the new album:

AYNIN - The title track was released as a free download on iTunes just shortly before the digital release of the rest of the album. Now I'll be totally honest: I've been a Duran Duran fan since I was seven or eight years old and that was a long time ago, trust me. LOL I've never quit liking them; I just haven't followed them as closely as a lot of fans have. But shortly before the single was released, I caught wind that they had a new album coming out and between that and starting to follow John Taylor and Simon Le Bon on Twitter, my love of the band was totally renewed back to the level of those early days. I downloaded AYNIN the day it came out and immediately started listening to it on repeat. At first I wasn't totally sure about it. It was so good to hear them doing new stuff again, especially since I had missed out on some of their more recent stuff. But, I wasn't totally sold at first. After a couple of replays though, it quickly grew on me and the thing I was most unsure about in the beginning (Nick's sharp, catchy, synth groove) had become my favorite thing about the song. I love the meaning behind the lyrics...that we need to live in the moment. I think my favorite line is, "We told everybody all you need is now." It sums up the vibe of the song as well as making me think back to their earlier songs. In particular, it makes me think of a personal favorite of theirs from before, "Save a Prayer", since it carried the live in the moment message as well. Anyway, I really enjoy the energy of this song as well. It makes me want to get up and move every time I hear it. Shortly after the single came out, they released the video. I won't go into it too much at this point except to say I really do love it and it definitely helped increase my love of this song even more. It's certainly one of my favorites on this album and I think has the potential to become a Duran Duran classic.

Blame the Machines - Again, another song with great energy. I love the female part of this song, done beautifully by British newscaster Nina Hossain. There are more sharp synth riffs from Nick and strong vocals from Simon, both of which stand out for me. I also love the "woah" in the background as it keeps the song moving quickly.

Being Followed - Another energetic track. I love how they hold true to their reputation as the band to party to. However, their slow songs are just as good as the more energetic ones, but we'll get into that later. I love Simon whistling on this track as well as the police siren sounds, which gives it that little something extra to me. There is some great drumming from Roger and kicking guitar from Dom as well.

Leave a Light On - Time to slow it down a little. This track brings to mind, for me at least, "Ordinary World" and "What Happens Tomorrow" and even to some degree, "Save a Prayer". Simon's vocals and lyrics are once again very strong. This song gives me an overall warm and fuzzy feeling, almost kind of dream-like; just like I get with the three previously mentioned favorites.

Safe (In the Heat of the Moment)- John's bass...what can I say but, “I love it!” Not that I don't always love John's grooves, because I do, but I particularly love it when you can hear him clear and strong. Sometimes the bass, at least for me, gets muddied and buried to some degree in the background. So I'm always glad for songs like this where his talent is clearly on display. There is more great drumming by Roger as well as rocking guitar from Dom. The addition of Ana Matronic on this song was brilliant and gives it quite a funky twist. I also love how they muted Simon's vocals at one point. It almost sounds like he's in a cave, giving it a very cool sound.

Girl Panic! - Another high energy song with lots of clear, strong bass from John as well as tight drumming from Roger and lovely guitar from Dom. This song very quickly became one of my favorites on the album. I've heard it's going to be the next single and I believe I remember hearing that there was a video to be released for it at some point as well. I can't wait to see what visuals they came up with to go along with this song.

The Man Who Stole a Leopard - The first thing I notice, of course, is Nick's sharp synth bits, which perfectly set the tone for the story we are about to listen to. I'm immediately reminded of "The Chauffeur"; however the addition of Kelis and British news presenter Nina Hossain turns this into something totally different. I find this one quite intriguing.

Runway Runaway - Another one brilliantly driven by Roger's drums, Dom's guitar, and John's bass. The guitar sticks out the most to me in this one and I have to admit, I'm really pro-Dom at this point. I know that's kind of a hot topic within the fandom, but he just appeals to me much more than either Andy or Warren ever did. Not that they aren't amazing guitar players in their own right, because they certainly are, but for me personally, I just like the whole package of Dom much better than I did either of them.

Before the Rain - This one makes me think of "Come Undone" in a way. Also the title itself brings to mind their earlier song "Hold Back the Rain". I wonder if this connection is intentional or merely a coincidence? I love the layering of Simon's vocals in a slightly muted way as well as more lovely synth work from Nick. I was listening to this through my daughter's iDog speaker and I'm not sure why but it's off somehow and had the muted, almost echo layer of Simon's vocal coming through above everything else. I have to admit though, I kind of liked it, as it gave it a haunted, spooky quality.

All in all, I loved the CD. Sure, there were some songs I liked more than others, but there wasn't a single one that I didn't enjoy. This is truly an album that I can listen to from one end to the other and that's quite a rarity for me. I'm a bit ADD when it comes to music. I LOVE music very much, but I tend to love a lot of different music, so back in the days of tapes, CDs, and radio only, I fast forwarded through songs just to get to the ones I wanted and flipped radio channels continuously; just ask my annoyed husband. Ha! iPods were a stroke of genius for a person like me because I could put my favorite songs on a playlist and hit shuffle and be happy with whatever came on. But there are the few rare CDs (not counting greatest hits compilations) that I will listen to continuously and enjoy every moment of it. This is certainly one of those CDs. Do I think it will stand the test of time and become a Duran Duran classic? Yep, I truly do.

Huge kudos to Mark Ronson for producing this and relighting the fire under one of the best pop bands ever! Also huge kudos go to Simon, John, Nick, Roger, and Dom for bringing their A-game. Everyone just seems to be at their best on this album and it all gels together perfectly!

So that's it for this part of the review. I'll finish it up once my physical CD finally gets here. Ugh! This is the last time I pre-order something from Best Buy!!

Thursday, March 24, 2011

Hello *waves*

Just a quick post to say hello and introduce myself. I've been contemplating starting a blog and with an ever growing list of concerts I'm going to/hoping to go to in the future, I figured this was the time. There's so much going on with the music I like right now. It's an exciting time. So I think this blog will mostly be for music/concerts/record reviews/etc, but there may be the odd this and that thrown in as well. Hope you'll join me for the ride. I'll start working on my first real post tomorrow.

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